11-18-2016, 10:39 PM
(This post was last modified: 11-19-2016, 08:45 PM by Dekalb_Blues.)
(10-02-2016, 03:47 PM)GentleWanderer Wrote: Dekalb, how do you know the music from Gurdjieff and DeHartmann is connected with the Hathors ? I know Tom channels
sounds/music whose aims is to activate the pineal gland, chakras or access others dimensions.
Hello, GW --
(Sorry, I meant to reply a moon-cycle-&-a-half ago but my tiny consciousness was shanghaied by the US-Prez-election hubbub & I lost track.)

Of course, all is one, so they are more than merely connected; they form a unity.
However, down here on Earth I get your meaning. Your question includes a number of assumptions, though, which are perhaps unprofitable to address
directly (translation: I am feeling exceptionally lazy just now); suffice it to say that the Hathors and Messrs G. & DeH., though not directly connected
in the close-kin-like manner I presume you mean, are (more importantly, I think, and more to the point) both strongly connected to a third thing...
The real question is: what's the good old tertium quid? That's the hazelhatchery part, as James Joyce would have put it.
I included the Gurdjieff compositions because they carry on with the same ultimate theme (humankind encountering an incomparably finer but more demanding reality) from a different angle of approach, and are representative sonic memes of a certain human culture that has been of the first importance in the history of human evolution on this planet. Music is just one of a broad spectrum of modalities this culture has for bridging the enormous distance between the average deeply-conditioned human being's subjective world (full of ignorantly-motivated repetitive lashings of hope and fear) and what could be called the "real" world (which is elsewise, more than somewhat).
Cheers!