12-03-2018, 04:50 PM
we can work with another pairing this time round 
Let's go with archetype 3, and archetype 4.
Known as the Empress, and the Emperor. The Catalyst of the Mind, and the Experience of the Mind.
Ra's thoughts, first:
I call this (currently) the DIALECTIS. Or in plain English - the Dialect.
![[Image: heOjvg6m.png]](https://i.imgur.com/heOjvg6m.png)
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and archetype 4:
And I call this CHOREOGRAPHAS. Or in common speak - the Choreography.
![[Image: JzZ6O8Dm.jpg]](https://i.imgur.com/JzZ6O8Dm.jpg)
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So the Empress and the Emperor. Or the Catalyst of the Mind, and the Experience of the Mind. Or the DIALECT, and the CHOREOGRAPHY.
So what can this mutual pairing reveal?
First of all, the DIALECT.
The common point (of natural contact) with the archetypes will be via the 3 Catalyst cards. And being that we experience things so HEAVILY in the mind, the Catalyst of the Mind is going be quite prominent.
Much of the confusion arises because we don't COMPREHEND what our catalyst is actually saying to us.
It is talking it's own language. That is: of polarity, the two paths, service/non-service.
It is talking to us, but can we understand HER? In this sense, the Empress represents a DIALECT, that occurs once the interaction between the Matrix of the Mind, and the Potentiator of the Mind has taken place.
Per Ra's thoughts here: "Thus it takes in far more than disciplined meditation. However, it is certainly through this faculty that catalyst is most efficiently used." We have to sit carefully, and be present with her language/dialect.
- -
once the Empress has been acknowledged (the Catalyst of the Mind), that leads (naturally) into the next area/faculty.
This is the CHOREOGRAPHY. The Experince of the Mind (much like the EMPEROR) has a vast domain in which to exercise their faculty/position.
They have the inherent empowerment to CHOOSE the nature of the dance, the song to be sung, the stage to be set. Much like a leading choreographer would serve in an executive (and collaborative) role in a dance company.
It is their POSITION to orchestrate the chosen experience. Not out of enforcement - but because they are literally choreographing THEMSELVES in the dance.
some further thoughts:
So the Dialect and the Choreography.
They work as a powerful Pairing in Awareness.

Let's go with archetype 3, and archetype 4.
Known as the Empress, and the Emperor. The Catalyst of the Mind, and the Experience of the Mind.
Ra's thoughts, first:
Quote:78.36 Questioner: I was asking if the third archetype was the Empress and was it correct to say that this archetype had to do with disciplined meditation?
Ra: I am Ra.
The third archetype may broadly be grasped as the Catalyst of the Mind. Thus it takes in far more than disciplined meditation. However, it is certainly through this faculty that catalyst is most efficiently used.
The Archetype, Three, is perhaps confusedly called Empress although the intention of this nomer is the understanding that it represents the unconscious or female portion of the mind complex being first, shall we say, used or ennobled by the male or conscious portion of the mind. Thus the noble name.
I call this (currently) the DIALECTIS. Or in plain English - the Dialect.
![[Image: heOjvg6m.png]](https://i.imgur.com/heOjvg6m.png)
/ /
and archetype 4:
Quote:78.37 Questioner: The fourth archetype, called the Emperor, seems to have to do with the experience of other-selves and the green-ray energy center with respect to other-selves. Is this correct?
Ra: I am Ra. This is perceptive.
The broad name for Archetype Four may be the Experience of the Mind. In the tarot you find the name of Emperor. Again this implies nobility and in this case we may see the suggestion that it is only through the catalyst which has been processed by the potentiated consciousness that experience may ensue.
Thusly is the conscious mind ennobled by the use of the vast resources of the unconscious mind.
And I call this CHOREOGRAPHAS. Or in common speak - the Choreography.
![[Image: JzZ6O8Dm.jpg]](https://i.imgur.com/JzZ6O8Dm.jpg)
/ /
So the Empress and the Emperor. Or the Catalyst of the Mind, and the Experience of the Mind. Or the DIALECT, and the CHOREOGRAPHY.
So what can this mutual pairing reveal?
First of all, the DIALECT.
The common point (of natural contact) with the archetypes will be via the 3 Catalyst cards. And being that we experience things so HEAVILY in the mind, the Catalyst of the Mind is going be quite prominent.
Much of the confusion arises because we don't COMPREHEND what our catalyst is actually saying to us.
It is talking it's own language. That is: of polarity, the two paths, service/non-service.
It is talking to us, but can we understand HER? In this sense, the Empress represents a DIALECT, that occurs once the interaction between the Matrix of the Mind, and the Potentiator of the Mind has taken place.
Per Ra's thoughts here: "Thus it takes in far more than disciplined meditation. However, it is certainly through this faculty that catalyst is most efficiently used." We have to sit carefully, and be present with her language/dialect.
- -
once the Empress has been acknowledged (the Catalyst of the Mind), that leads (naturally) into the next area/faculty.
This is the CHOREOGRAPHY. The Experince of the Mind (much like the EMPEROR) has a vast domain in which to exercise their faculty/position.
They have the inherent empowerment to CHOOSE the nature of the dance, the song to be sung, the stage to be set. Much like a leading choreographer would serve in an executive (and collaborative) role in a dance company.
It is their POSITION to orchestrate the chosen experience. Not out of enforcement - but because they are literally choreographing THEMSELVES in the dance.
some further thoughts:
Quote:94.11 Questioner: I have drawn a small diagram in which I simply show an arrow which represents catalyst penetrating a line at right angles to the arrow, which is the veil, and then depositing in one of two repositories, one which I would call on the right-hand path, one on the left-hand path; and I have labeled these two repositories for the catalytic action as it’s filtered through the veil “the Experience.” Would this be a very rough analogy of the way the catalyst is filtered through the veil to become experience?
Ra: I am Ra. Again, you are partially correct. The deeper biases of a mind/body/spirit complex pilot the catalyst around the many isles of positivity and negativity as expressed in the archipelago of the deeper mind. However, the analogy is incorrect in that it does not take into account the further polarization which most certainly is available to the conscious mind after it has perceived the partially polarized catalyst from the deeper mind.
94.12 Questioner: It seems to me that the Experience of the Mind would act in such a way as to change the nature of the veil so that catalyst would be filtered so as to be more acceptable in the bias that is increasingly chosen by the entity. For instance, if the entity had chosen the right-hand path the Experience of the Mind would change the permeability of the veil to accept more and more positive catalyst, and also the other would be true for accepting more negative if the left-hand path were the one that was repeatedly chosen. Is this correct?
Ra: I am Ra. This is not only correct but there is a further ramification. As the entity increases in experience it shall, more and more, choose positive interpretations of catalyst if it is upon the service-to-others path and negative interpretations of catalyst if its experience has been along the service-to-self path.
So the Dialect and the Choreography.
They work as a powerful Pairing in Awareness.